Category: Literature Review
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Analyzing “Netochka Nezvanova” by Fyodor Dostoevsky
In the unfinished novel Netochka Nezvanova, portrays Alexandra’s letter from her former lover S.O. as a parallel for little Netochka and Katya’s relationship/friendship. It is perhaps nclear what a 19th century Russian author intended by this arrangement; nonetheless, this relationship whether romantic or not is seen similar to the relationship of Alexandra and her former…
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Themes of Jealousy, Innocence, and Revenge in Othello
As William Shakespeare’s only truly Aristotelian tragedy, Othello has no subplot or comic relief, and, when originally performed, had little spectacle in the way of the set or action. The absence of these distractions leave the themes of the play defined and apparent. The story of Othello’s fall from grace can show the audience three…
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The Concepts of Love and Duty in Othello
In Shakespeare’s Othello, Othello is presented as a man of stature and distinction, so much so that others oft precede his name with the word “valiant” (1.3.50). He is someone who, despite prejudices attached to his skin, is found worthy of love from the fair Desdemona due to the merit of his service to the…
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The 1978 Lenox Argument on Brecht’s Play About Shen Te’s Persuit for Self Interest
Lennox (1978) argues that Brecht was “unable to see real women in their full dimensions” perhaps due to “a terror of women like that possessed by many men”. Accepting this, Brecht’s is in terms of stereotypes only slightly modified by his “political concerns” (ibid). Brecht’s policy of “making strange” (Williams 1987, pp. 279) is therefore…
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The Theme of Forbidden Love in “The Guide” and “The God of Small Things”
Forbidden love is a prominent theme in both The Guide and The God of Small Things. While R.K. Narayan utilizes Raju’s affair as a plot device, Arundhati Roy displays several sexual taboos as part of a broader theme to challenge societal expectations in India. In “The Guide: A Study in Transcendence,” Mary Beatina Rayen explains…
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The Grammar and Symbols of “The Prophet’s Hair”
The Grammar of the Idols Salman Rushdie’s “The Prophet’s Hair” reflects on religious practice and worship as a number of people cross paths with a sacred relic that has been stolen from their mosque. A vial, containing a strand of hair from Muhammad, is recovered by Hashim only to incite chaos and suffering amongst the…
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Endgame and The Absurd
During a time of the utmost rationality, when the serious nature of man was exposed in its most raw form, Samuel Beckett– author of Endgame — tackled subject matters that stepped out from under the issue of war and the tangible problems of his era, and instead chose to focus on more abstract topics, oftentimes…
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Against The Traditions: Endgame Through Aristotelian Norms
At first glimpse, Samuel Beckett’s Endgame has absolutely nothing in common with the model provided in Aristotle’s Poetics. Where Aristotle claims the most important element of any tragedy is plot, Endgame seems to have no plot. Where Aristotle discusses the importance of speech(es) conveying moral purpose and character, Endgame has characters that speak metalanguage (language…
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Exploring Latent Homoeroticism Theme in Whitman’s Song of Myself Based on Section 11
Song of Myself is a poem of bold declarations that egotistically assert Walt Whitman’s place and purpose in the context of a world of immense scope and romantically instilled vigor. And yet located within this chaotic unfurling of identity there is one piece of the poem that stands out as a conspicuously reserved, reflective fragment.…
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Creating a Stereotype: Profession of Silas Marner
Whether it be a businessman or a chef, writer or teacher, one’s profession often reveals insight into a person and immediately creates a stereotype for an individual. While some jobs hold prestigious standing in societal stereotypes, others may wrongly detract from someone’s image on a basis in no way connected to the real person. In…